Sci-Fi Squad Sci-Fi Movies, News, Trailers, DVDs and More

Greetings fellow cinephiles, Brian Salisbury of Horror Squad here; Sci-Fi Squad's twisted sibling. Over on our side of the blogosphere, I operate a weekly feature focusing on horror movies on VHS that never graduated to DVD or are no longer readily available as such. It's called Terror Tapes and it has sent me wading waist-deep through some of the worst garbage the local Austin video stores have to offer. There have been a smattering of gems among the waste, but for the most part these films emphatically argue against their own upgrade.

I received a film for Christmas that I have desperately wanted to see ever since saw the cover art on the rental shelf when I was younger. It was called Split Second and featured an alarmingly nonchalant Rutger Hauer strolling casually away from a badass alien monster. Once the DVD went out of print a few years ago, tracking it down became a bit arduous. Thank goodness for dead formats!

So, I thought I would do a special Sci-Fi Squad edition of Terror Tapes as Split Second certainly seems to fall under that banner far more than horror. Enjoy!

It's been ten years since we crossed into the seemingly futuristic "Year 2000." While we didn't get moon colonies or hovercars, we did get a collection of amazing science fiction films, both blockbusters and indies. The staff of Sci-Fi Squad has compiled their top ten (okay, eleven) favorite films of the decade, a list that will allow you to nod your head in agreement or spit venom at us in the comments. So now, in alphabetical order...

Children of Men (2006, Dir. Alfonso Cuarón)

The opening scenes of Children of Men plunge the viewer neck-deep into an icy future with an expiration date firmly set. The human race faces extinction because women all over the world have become infertile: no children have been born for a generation. The British government endeavors to stave off chaos by deporting all foreigners, but many of its citizens have already succumbed to hopelessness and despair. Theo Faron (Clive Owen) strides through this terrible new world with a cynical air of resignation until a glimmer of light -- the possibility of a future - turns his head. Adapting a novel by P.D. James, director Alfonso Cuarón and his collaborators (notably cinematographer Emmanuel Lubezki and production designers Geoffrey Kirkland and Jim Clay) meticulously create a nightmarish future in which the walls are closing in, and then proceed to smash through the limitations of imagination. Michael Caine, Chiwetel Ejiofor, Clare-Hope Ashitey, and Julianne Moore bring varying shades of humanity to their ultimately haunted characters. (Peter Martin)

The franchise comeback story of the year, if not the decade, is Star Trek, which arrived in theaters with an amount of buzz that could only be matched by a metric ton of tribbles, and eventually grossed almost $400 million worldwide. This week Trek debuts on Blu-ray in a 3-Disc Special Edition, and the set includes enough extras and special features that one can expect the series to continue on successfully for the foreseeable future – even if it's only because you can't get it out of your head.

Though it's unnecessary to revisit the merits of the movie itself – by now you're either with J.J. Abrams' reinvention of the series mythology or you aren't – it looks absolutely wonderful in high definition, emphasizing every last lens flare and visual flourish injected into its agile, lyrical cinematography. The color quality itself is just positively luminous, but augmented by the sound design, which offers a muscular 5.1 TrueHD mix, you're completely immersed in the film; in fact, so great is the sound on Disc One that even the menu screens rumble with house-shaking bass.

As for the encyclopedia of bonus materials.....

By Todd Gilchrist (reprint from 10/28/09 -- L.A. Screamfest)

I'm not sure exactly what quality it is that real people possess and actors lack, but any time a film pretends to document real behavior, either literally or as a reenactment, something is almost always missing. Sometimes the problem is a deliberate decision to enhance events with artificial emphasis or drama, and sometimes it's simply too great a sense of self-awareness in the actor, who knows he or she is performing. But while there are a precious few movies that nail that authenticity, notably the recent underdog-blockbuster Paranormal Activity, such is certainly the case in The Fourth Kind, a film that purports to build an argument for alien abductions using "actual" footage from case studies.

While much of the movie's so-called source material carries the convincing roughness and deficiencies of homemade, handheld recording, too much of it seems far too calculated, both in its technical proficiency and the performances contributed by its "real" people. Further, its accompanying reenactments by recognizable actors undermine the possibility that audiences can take its case seriously, all of which adds up to thriller that unravels easily even if it nevertheless occasionally qualifies as a scary good time.

By: Elisabeth Rappe

There's big news from Asgard tonight! According to The Hollywood Reporter, the legendary Sir Anthony Hopkins has joined the cast of Thor. This isn't one of these tightly kept casting announcements either, as THR reports that he and no one else is playing Odin. (Incidentally, there's no mention of Robert DeNiro and Jude Law among the confirmed cast members, so I'm guessing that was just a fever dream of a rumor.)

If you're not up on your Thor or Nordic mythology, Odin is the father of Thor and the ruler of Asgard. He's your typical white-bearded god sort, fond of wine, women, and wisdom. He's not immortal (none of the gods of Asgard are), but ages slowly, and possesses amazing powers of strength and wisdom. He famously sacrifices his eye for the foresight to prevent Ragnarok, a sadly futile act, but you can't blame a god for trying.

While a lot of people were hoping that the Brian Blessed would be Odin (and my own money was on the recently signed Stellan Skarsgard), you can't really get much better than Sir Hopkins. He'll add just the right amount of gravitas, but he's an actor who can still have fun in a role. I can't wait to see him go up against Loki, and watching him smack down Thor for his arrogance is going to be pure theater. Cheers, Kenneth Branagh!

This post originally appeared at Cinematical

I'm not sure exactly what quality it is that real people possess and actors lack, but any time a film pretends to document real behavior, either literally or as a reenactment, something is almost always missing. Sometimes the problem is a deliberate decision to enhance events with artificial emphasis or drama, and sometimes it's simply too great a sense of self-awareness in the actor, who knows he or she is performing. But while there are a precious few movies that nail that authenticity, notably the recent underdog-blockbuster Paranormal Activity, such is certainly the case in The Fourth Kind, a film that purports to build an argument for alien abductions using "actual" footage from case studies.

While much of the movie's so-called source material carries the convincing roughness and deficiencies of homemade, handheld recording, too much of it seems far too calculated, both in its technical proficiency and the performances contributed by its "real" people. Further, its accompanying reenactments by recognizable actors undermine the possibility that audiences can take its case seriously, all of which adds up to thriller that unravels easily even if it nevertheless occasionally qualifies as a scary good time.

Read the rest over at Cinematical

By: Jen Yamato

If you're still on the lookout for the perfect movie-themed jack o' lantern patterns for Halloween, look no further because we've dug up something for everyone. Are you a stickler for the rules of Halloween (i.e. don't blow out the jack o' lanterns til after midnight...)? Try the bag-headed Sam from Trick 'R Treat. Jedi in training? Carve the Death Star so you can practice infiltrating it. Bonus: you and Lego Luke Skywalker can even blow it up once Halloween's over!

Personally, I always went for the grotesque or ironic celebrity pumpkins. One of my best Halloween creations was a glowing, sultry J. Lo pumpkin. (The best part was watching her wither and decay the next week. So evil!) I've always sworn by the patterns over at Zombie Pumpkins, where you can find just about every movie icon you can imagine. Download SUPER easy patterns like Freddy Krueger, the Stay Puft Marshmallow Man, the Joker, Jigsaw's puppet, Gremlins, and even assorted characters from the Harry Potterverse. (An Albus Dumbledore to protect your porch!) And yes, folks - they've even got new patterns from Twilight, Zombieland, and Michael Jackson, circa Thriller. Too soon?

Read on for more -- and the Death Star jack o' lantern -- after the jump.

By: Elisabeth Rappe

Robert Rodriguez's Predators reboot has left us all with mixed feelings, particularly after the offbeat casting choices that were announced last week. If you read that and said "Man, you know what I really want instead? A movie that's like Predators, but original!", then you might be in luck. The Hollywood Reporter tells of an action thriller called Psy-Ops that was penned by Scott Stewart and Gus Krieger, and might just introduce some new terror into the jungle.* It was just optioned by Bold Films, and will be directed by Stuart Maschwitz as his feature film debut.

Psy-Ops centers on that usual gang of suspects: a U.S. military team sent on a routine mission to the Amazon Basin. Instead of being the typical black-ops bunch, these guys are psychological operatives who specialize in exploiting the deepest and darkest fears of their enemies. But on this trip to the Basin, the tables will be turned, and blood will be spilled as they "discover something more terrifying than they could have imagined." And these guys have imagined a lot.

The script is said to be a mix of Predators, Aliens, Black Hawk Down, and the Bourne films. Bold Films is hoping to mix the good of the 1980s with the psychological grittiness of our current action crop. I'm not about to judge on just a few lines of plot (and don't think I'm tearing Rodriguez down to elevate this), but wouldn't it be nice if this generation had an original alien slasher to call their own?

*Apologies for the hideous graphic on your right. That's my attempt at portraying a scary jungle. Color it red and it looks scary, right?

At a press day for the release of Star Trek and Transformers: Revenge of the Fallen on DVD and Blu-ray, screenwriters Roberto Orci and Alex Kurtzman discussed the futures of those respective franchises, and offered a few highlights from their upcoming slate of screenplays and producing projects. When asked about their process for developing sequels, Kurtzman said, "Every franchise has a different need, so you have to look at them differently, based on whatever the mandate is. You need to be able to not have seen the first movie to appreciate the second one. But, for us, it's always about going back to the sequels that we loved as kids and asking ourselves why we loved them."

Offering a list of their favorite follow-ups, Kurtzman continued, "there's Empire Strikes Back, Superman II, Aliens, Terminator 2, Star Trek 2. What do all those movies have in common? Well, they're amazing stories all on their own. You didn't have to see the first movie. And, there was some incredible, emotional test of character, in all of those movies. Superman has to give up his powers for love. The Spock and Kirk relationship is tested by Khan. Ripley finds a daughter. All of those things are such big ideas, in and of themselves, and you really can't tell those stories in movie number one because movie number one is very much about establishing a world."

Transformers: Revenge of the Fallen debuts on DVD and Blu-ray October 20, 2009, and Star Trek follows on November 17. The following is an edited version of a news conference featuring Orci and Kurtzman.

In terms of Star Trek's expanded universe, are there any elements from the later series that you might want to throw into the next film?